Drizzt79
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Kill Bill 1 - Initial Script - Yuki Yubari.
Obviously, I didn't write this, but I had to share - it's a perfect bad girl story , IMO.
POV THROUGH WINDSHIELD
car speeding...then stopping.
BLACK SCREEN
The BRIDE lifts up trunk lid, we look up at her FRAMED in the
TRUNK SHOT. Helmet on head making her faceless, gold Deadly
Viper syringe in her hand.
When she speaks it comes out of a VOICE BOX at the bottom of
the helmet. Turning her voice deeper and electronically
spooky. The two women speak Japanese to each other.
THE BRIDE (JAPANESE)
I've kept you alive for one reason.
Information. Being O-Ren's lawyer,
I take it you're familiar with
Bill?
SOFIE (JAPANESE)
Yes.
THE BRIDE (JAPANESE)
In fact, I'd guesstimate, you
worked for Bill before O-Ren, and
that's how it is you came to work
for O-Ren. Am I correct?
SOFIE (JAPANESE)
Yes.
THE BRIDE (JAPANESE)
I thought so. Give me the arm you
have left.
SOFIE (JAPANESE)
Why?
THE BRIDE (JAPANESE)
I want information. Now gimme your
arm.
Sofie offers up her remaining arm.
She injects Sofie with the gold syringe.
THE BRIDE (JAPANESE)
The ****tail racing through your
bloodstream at this moment is
Bill's own recipe. He calls it "The
Undisputed Truth."
Sofie is injected.
THE BRIDE (JAPANESE)
Okay, first things first. Where was
the other Yubari sister? Yuki?
SOFIE (JAPANESE)
Yuki's sick. She went home early.
THE BRIDE (JAPANESE)
Do tell? What's wrong with her?
SOFIE (JAPANESE)
She has a cold.
THE BRIDE (JAPANESE)
Awwww poor baby. What do you think
she'll do when she finds out what
happened?
SOFIE (JAPANESE)
She'll wail with grief.
SHOCK CUT TO
YUKI YUBARI upon hearing the news of her sister's death...
She SCREAMS!
BACK TO SOFIE
SOFIE
She'll drink excessively.
BACK TO YUKI
Big bottle of sake in her mouth pointed bottom up.
BACK TO SOFIE
SOFIE
She'll start trouble.
BACK TO YUKI
sitting at a bar in drunken stupor. An OLDER JAPANESE MAN in
a business suit sits next to her at the bar...he puts the
make on her.
BUSINESS SUIT (JAPANESE)
Do you like Ferraris?
Yuki staring out into space, says with a drunken voice;
YUKI (JAPANESE)
Ferrari...Italian trash.
She slowly turns to face the older Japanese man in the
business suit.
YUKI (JAPANESE)
Do you find me hot?
The man in the business suit giggles at her boldness; she
gets annoyed;
YUKI (JAPANESE)
Don't laugh! Do you want to ****
me, yes or no?
BUSINESS SUIT (JAPANESE)
Yes.
THEN...
He lets out a GRUNT coming from below.
We see she has stabbed him in the belly with a samurai short
sword, and is slowly dragging the blade across his abdomen,
creating a big red grin across his mid-section.
TWO SHOT YUKI AND BUSINESS SUIT
Yuki focused, Business Suit penetrated...She opens him up
more...he feels every inch of the blade's progress.
YUKI (JAPANESE)
How bout now, big boy, do you still
wish to penetrate me...
Blade cuts deeper...
YUKI (JAPANESE)
Or is it I who has penetrated you.
And with her last line, does the final disemboweling slice
that sends his insides spilling out onto the barroom floor.
BACK TO SOFIE
SOFIE (JAPANESE)
When she stops shedding tears,
she'll start shedding blood.
THE BRIDE (JAPANESE)
Best guess, what will she do?
SOFIE (JAPANESE)
I don't hafta guess, she'll come
after you.
THE BRIDE (JAPANESE)
Will she ever give up?
SOFIE (JAPANESE)
She won't have to. When she finds
you, I don't know who will win. But
what I do know is, she will find
you.
THE BRIDE (JAPANESE)
Is she more skilled than I?
SOFIE (JAPANESE)
Skilled won't be the word.
THE BRIDE (JAPANESE)
Don't be coy with me, *****. What
would be the word?
SOFIE
Crazy.
The Bride takes this in...then moves on.
THE BRIDE (JAPANESE)
Okay, now I want all the
information on the Deadly
Vipers,... What they've been doing
and where I can find them.
EXT. TOKYO GENERAL HOSPITAL - NIGHT
The big hospital of TOKYO is located by a hill by the
highway. Sofie's MAZDA pulls off the highway to the side.
The Bride hops out of the car, runs to the back, opens the
trunk, takes out Sofie's body, and rolls it down the
hill....Sofie stops rolling in front of the entrance of the
huge hospital.
CUT TO:
CU SOFIE
in a hospital environment. Bill's voice speaks to her OFF
SCREEN;
BILL (O.S.; ENGLISH)
Sofie, Sofie, my Sofie, I'm so
sorry.
SOFIE (ENGLISH)
Please forgive my betrayal --
He shhhh's her off screen;
BILL (O.S.; ENGLISH)
-- no more of that. I invented that
truth serum. Once it entered your
bloodstream, you no longer had a
choice.
SOFIE (ENGLISH)
But, still --
BILL (O.S.; ENGLISH)
-- But still -- nothing, except my
aching heart over what she's done
to my beautiful and brilliant
Sofie.
(pause)
If you had to guess why she left
you alive, what would be your
guess?
SOFIE (ENGLISH)
Guessing won't be necessary. She
informed me.
BACK TO THE BRIDE AT THE TRUNK
THE BRIDE (ENGLISH)
I'm allowing you to keep your
wicked life for one reason and one
reason only. So you can tell him,
in person, everything that happened
here tonight. I want him to witness
the extent of my mercy..., by
witnessing your deformed body. I
want you to tell him, all the
information you just told me. I
want him to know what I know. I
want him to know I want him to
know.
Then with SUPERMAN X-RAY VISION we see through the helmet to
the Bride's face inside as she says the last line.
THE BRIDE (ENGLISH)
And I want them all to know,
they'll all soon be as dead as O
REN.
WE CUT TO A
CU of SOFIE
WE PAN to a CU of YUKI
Bill says off screen;
BILL (O.S.; JAPANESE)
If O-Ren was number one, unless
she's being tricky, Vernita Green
will be number two.
YUKI (JAPANESE)
Where is Vernita Green?
BILL (O.S., JAPANESE)
Los Angeles. Vernita's in Pasadena.
But the woman you want will hold up
in a low budget motel, fifteen of
twenty minutes away from stepping
on board a plane departing LAX. If
I had to bet...I'd say Hawthorne.
Yuki blows a pink bubble gum bubble, it pops and she says in
English;
YUKI (ENGLISH)
California, here I come.
CUT TO:
CU HATTORI HANZO
He's sewing something that requires a lot of concentration.
CU The BRIDE'S BARE BACK
What he's sewing is, the NASTY SLASH O-Ren gave the Bride on
her back, closed with a simple needle and thread.
CU The BRIDE
lies naked on her stomach, head up, chin resting on her
folded hand, feeling no pain at the needle piercing her
flesh. The sleeping giant is awake, and in her eyes we see
she's filled with a terrible resolve.
As Hanzo sews, he recites in Japanese the Yagu mantra, the
Bride recites in Japanese after him.
EX CU: O-REN ISHII'S name written in the Bride's notebook
with the number one next to it. A black felt pen comes into
frame and draws a line through the name.
FADE TO BLACK.
BLACK FRAME
TITLE CARD:
Chapter five
"YUKI'S REVENGE"
We hear music under this card...
MONTAGE OF YUKI coming to Los Angeles cut to music.
We see YUKI dressed in her Japanese private schoolgirl outfit
with white blouse, plaid skirt, bobby socks, blazer, and
barrettes in her hair, flying on a jet enroute to Los
Angeles. She paints her fingernails with bubble gum-colored
nail polish.
Yuki walks through LAX.
Yuki standing next to a CAR SALESMAN on a California car lot.
She points at a car in front of her.
We see her cool convertible sports car and her finger
pointing at it.
We see Yuki behind the wheel of the sports car, driving as
fast as she can through the twists and turns of the Hollywood
Hills, laughing all the way.
We see Yuki running around all over LA, Hollywood and
Disneyland taking pictures with her disposable Barbie camera.
SPLIT SCREEN
YUKI'S SIDE THE BRIDE'S SIDE
PHOTO: Yuki with the The Bride on an airplaine
Hollywood signin the b.g., flying to Los Angeles.
she points to it.
PHOTO: Yuki in front of the The plane lands in L.A.
Chinese Theatre.
PHOTO: Yuki at Grauman's
Chinese Theatre, wearing a The Bride walks off the
cowboy hat, in front of Roy plane with the other
Rogers' and Trigger's hand passengers.
foot and hoof prints. She
holds her fingers like a
six-shooter.
PHOTO: Yuki posing with a The Bride walking
celebrityshe's bumped into. through LAX.
Yuki behind the velvet ropes
of a Hollywood premiere with
the other fans. She watches
the STARS walk the red carpet
with her autograph book in her
hand.
YUKI screaming on a roller-
coaster.
PHOTO: At Disneyland. Doing
a Bonnie and Clyde-style pose
with a Captain Hook. And
another photo in between
Chip N' Dale.
CU YUKI CU The BRIDE
walking, stalking, andwalking through LAX.
eating huge ice cream
waffle cone.
SPLIT SCREEN (CONT'D)
YUKI'S SIDE THE BRIDE'S SIDE
We see Yuki is tailing the We see The Bride is
Bride through LAX. being followed by Yuki.
Our heroine is unaware.
Yuki driving her sports car. The Bride renting a
Stalking. motel. We see Yuki's
car drive by in the B.G.
through the motel's
picture window.
MEDIUM CU of Yuki wearing a YUKI'S POV:
whiteuniform, and taking The Bride entering her
money. Her eyes watch yellow pickup truck
something off screen. parked in front of
Vernita's house.
We see Yuki is dressed like EX CU: VERNITA GREEN'S
an ice cream man, and is name in the Bride's
selling ice cream to kids notebook. She draws a
from an ice cream truck on black felt pen through
Vernita's block. the name.
THE BRIDE
(to herself)
Two down, and three to
go.
CU Yuki's face as she watches The Bride driving away
the Bride drive away. from the scene of her
latest victory.
CU Yuki, smiles. Now's the YUKI'S POV: The yellow
time. pussy wagon drives away.
Yuki, at night, sitting in YUKI'S POV: The
the surveillance seat of her exterior of the motel,
sports car. Her hands are the Bride is staying in.
busy below frame. The motel is located on
a Hawthorne residential
street. Her yellow
pickup truck is parked
on the street.
SPLIT SCREEN (CONT'D)
YUKI'S SIDE THE BRIDE'S SIDE
Yuki loading an Israel The Bride, on the phone,
compact sub-machine gun booking her flight out
that lays on her plaid of LA to Texas, as she
skirt lap. packs her crap inside
her motel room.
The Bride carries her
stuff, the Hanzo sword,
her money in a backpack,
and her other stuff in a
canvas duffle bag.
CU YUKI watches. Weapon She carries the stuff
locked,loaded, and ready. from indoors to
She makes a line of babyoutdoors to the yellow
blue powder on the pickup.
dashboard, then snorts it
up her nose.
A SUBTITLE APPEARS UNDERNEATH:
DRUG of Bill's own concoction.
He calls it, "The Blues."
The drug affects her. Now's
the time.
Yuki gets out of the carYUKI'S POV: We see the
and heads for the Bride from a distance,
oblivious Bride. by her truck.
Cu Yuki walking towards the YUKI'S POV: Approaching
Bride. the Bride from behind.
A camera behind Yuki as
she walks, holding the
sub-machine gun behind
her back.
FULL SCREEN
We stay with Yuki's side as she stops across the street from
the Bride. During their face-off we only see the Bride at a
distance.
The Bride is in the b.g., back to us packing her trunk, just
about ready to make a clean getaway...
WHEN...
Yuki yells to the figure across the street.
YUKI (JAPANESE)
Conigute wa!
We see the back-turned figure of the Bride slightly freeze
upon hearing the Japanese greeting. Without turning around
she says;
THE BRIDE (JAPANESE)
Conigute wa.
(pause)
Yuki?
YUKI (ENGLISH)
Bingo!
THRILLER MUSIC begins on the soundtrack.
The Bride turns around to face the young avenger.
THE BRIDE (JAPANESE)
Can I help you?
YUKI (JAPANESE)
You can kill yourself.
Yuki giggles.
YUKI (JAPANESE)
Taking a trip?
THE BRIDE (JAPANESE)
I was.
YUKI (JAPANESE)
You still are. One way.
THE BRIDE (JAPANESE)
I know you feel you must avenge
your sister. But I beg you...walk
away.
Yuki giggles.
YUKI (JAPANESE)
You call that begging? You can beg
better than that.
Yuki giggles. Then she takes out a flashlight, and switches
on the beam.
YUKI (JAPANESE)
Can I see your face? I've heard
your beauty is exquisite. I would
like to see for myself.
THE BRIDE (ENGLISH)
Sure.
Yuki shines the flashlight beam in the Bride's face.
YUKI (JAPANESE)
Ohhhh,...look how pretty your face
is. Oooohhh,... I want to touch it.
THE BRIDE
Domo.
YUKI (JAPANESE)
Your face is so pretty, I just want
to put both of my palms against
your cheeks and give you little
tiny kisses.
Yuki then shines the flashlight up into her own face.
YUKI (JAPANESE)
How do I look?
THE BRIDE (JAPANESE)
Very pretty.
YUKI (JAPANESE)
You're just saying that 'cause I
told you how pretty you are.
THE BRIDE (JAPANESE)
Yuki, you're gorgeous.
YUKI (JAPANESE)
Really? Is that how you'd describe
me to somebody if I wasn't here?
Yuki's gorgeous?
THE BRIDE (ENGLISH)
You bet.
Yuki giggles.
THE BRIDE (JAPANESE)
Don't make me kill you.
YUKI (ENGLISH)
Okay.
Yuki removes the Israel sub-machine gun from behind her back
and FIRES A LOUD INTENSE VOLUME of firepower at The Bride.
The Bride dives out of her way, just as her yellow pussy
wagon is demolished by the ammo.
The Bride, with her samurai sword in her hand, and her
backpack full of money, takes off running across a couple of
front lawns...
Yuki chases her with machine gun fire...
The Bride LEAPS over a long hedge...disappearing Behind it.
Yuki runs after her, firing all the way, destroying the
hedge...
The Bride darts across the street, she hits the ground and
rolls under a Volkswagen van.
Bullet FIRE EXPLODES all around the Bride as she rolls out on
the other side. She removes her 9mm automatic and returns
fire from behind the van.
Yuki yells to her in English;
YUKI (ENGLISH)
You think you're safe! I say; Ha!
She takes out a hand grenade, removes the pin with her teeth,
and slides it towards the Bride.
The Bride sees the live hand grenade skidding and sliding on
the asphalt towards her...
She takes off running...as the Volkswagen van EXPLODES BEHIND
HER.
She cuts through the backyard of a house -- THE CAMERA TAKING
OFF WITH HER -- over their fence, in the backyard over the
fence into another yard. She trips, falling into the other
house's swimming pool. Instead of splashing around, the Bride
swims like she was in the Olympics, till she's in the shallow
end. Without breaking her stride, she runs out of the pool.
Now with her gun out, the sopping wet Bride gets to the front
of the house. It's located on a cul de sac.
WHEN...
Yuki's sports car pulls up at the end of the street.
Both women see the other.
Yuki hits the gas, firing her machine gun out the window of
her car as she speeds down the dead-end street.
The Bride, runs across lawns and hides behind parked cars on
the street, as the bullets rip up homes, lawns, and
automobiles.
When Yuki's car reaches the end of the dead end,...
She jerks the wheel...
SPINNING the car around, pointing it in the opposite
direction.
SHE HITS THE GAS AGAIN...
SHE PULLS THE MACHINE GUN TRIGGER AGAIN...
BULLETS TEAR UP the cars lining the street.
In the hail of bullets, the Bride tries to fire back.
Yuki reaches the end of the street and spins the car around.
She gets ready to make a third pass.
Some PEOPLE in the house behind the Bride, look out of their
front door.
The Bride yells at them;
THE BRIDE
Stay in your house and stay down on
the floor!
Yuki speeds after her, but this time she pops the curb and
drives across the front lawns on the street heading right for
her.
The Bride runs into the house she's in front of.
She runs through the living room, to the kitchen and the back
door, but the kitchen's where the family that lives here is
hiding and they block the door.
Yuki's sports car pulls up in front of the house. She stands
up in the convertible. Takes out a grenade, pulls the pin and
says;
YUKI (JAPANESE)
Time for the rabbit to come out of
her hole!
She lobs the grenade up on the porch, then throws herself
face down on the lawn.
The porch and the front of the house explodes into splinters.
Everybody in the kitchen is blown back.
Realizing there's no getting out of the back door, the Bride
runs back into the living room that's now missing a wall, and
runs up the home's staircase leading to the bedrooms.
Yuki steps into the house, sub-machine gun in hand...
The Bride makes it to the top of the stairs, and is just
about to disappear behind the upstairs hallway wall...
WHEN...
Yuki fires up at her, hitting her twice in the leg.
The upstairs hallway, two bedroom doorways line both sides of
the hallway. The Bride crashes to the floor -- SCREAMING --
blood pours out of her gunshots.
Yuki charges up the stairs...machine gun blazing, tearing up
the house.
The Bride aims her 9mm where she expects Yuki to emerge.
Yuki gets to the top of the stairs, and steps into the
hallway.
The Bride fires...
The Bride's bullet wings Yuki in the left breast, knocking
her through a bedroom doorway.
THE BRIDE
(to herself)
Gotcha!
Yuki screams like a little girl at the pain. She yells from
the doorway into the hallway;
YUKI (JAPANESE)
You ****ing *****! You shot me in
my breast! They're not fully
developed yet, you ****ing asshole!
Now I'm always gonna have a dimple!
The Bride answers Yuki back with an imitation of Yuki's
giggle, which makes the youngin blow her top.
YUKI (JAPANESE)
Piss me off!
She fires her machine gun around the corner, tearing up
everything around the Bride.
When the young girl stops firing, the Bride yells;
THE BRIDE (JAPANESE)
Yuki, in about two minutes there's
going to be an army of police here.
So if you're gonna kill me, now's
the time.
From her hiding place, Yuki snorts a line of baby blue
powder. It gives her energy.
THE BRIDE (O.S., ENGLISH)
So what's it gonna be *****?
Slapping a new clip in her machine gun.
YUKI (JAPANESE)
That ****ing does it!
Yuki comes around the corner FIRING her machine gun in the
Bride's direction, ripping up everything around her.
The Bride lying flat on the floor fires her 9mm.
The explosion of ammo creates the hysteria of warfare combat.
Yuki charges the Bride, Kamakazi style.
Three more bullets rip into the Bride, the Bride fires up at
Yuki, hitting her three times in the body, knocking her off
her feet, and sending her tumbling down the stairs.
The Bride shot up, pulls herself to the top of the stairs.
She sees Yuki lying at the bottom, dead.
Yuki's face, dead, eyes closed...then they pop up open...
Guess what...she's not dead. Though she's bloody and her
schoolgirl uniform is filled with bullet holes she rises. Her
head turns in the direction of the Bride...
The Bride sees this and can't believe it...
They lock eyes...
...Yuki, who no longer has the machine gun, takes out a
deadly looking knife and snaps it open with a smile that
builds to a scream...
She charges up the steps at the Bride.
The startled Bride fires at her...the 9mm's empty...
Yuki charging up the steps, yelling, knife raised high...
The Bride, hurriedly removes the pistol she keeps in her
ankle holster.
Yuki chargin...
The Bride ****s back the hammer...
...Yuki charging, getting closer...
The Bride FIRES
Bullet hits Yuki, stops her for a quarter of a second, but
she keeps charging...
The Bride fires again...
Yuki jerks but keeps on charging...
Bride fires...
Yuki jerks, but keeps charging...
Bride fires...
Yuki jerks, keeps chargin, almost at her, knife raised
high...
The Bride FIRES
Yuki jerks, but keeps charging, knife ready to do its duty...
The Bride fires, but her gun jams...
Yuki leaps on her with the knife...
They struggle for a moment...
...TILL...
...The Bride realizes Yuki's dead. She tosses her to the
side.
THE BRIDE
*******, what a wildcat.
--- My board: Evil Babes
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7/14/2006, 12:17 pm
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Drizzt79
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Re: Kill Bill 1 - Initial Script - Yuki Yubari.
Themes and stuff, analyzed
Here
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7/14/2006, 12:47 pm
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geesehoward4life
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Re: Kill Bill 1 - Initial Script - Yuki Yubari.
If you are interested, I actually wrote two follow-up books to Kill Bill and started to actually seek publication. I stopped when I realized I would be doing myself a huge favor to write my own original work FIRST... before trying to come through the door on the coattails of someone else's work.
I did two years of research to write both books. I couldn't possibly post them here, but if you are interested in reading what I wrote, send me a PM and I'll send you the first book and you tell me what you think!
Yuki and a ton of other things are brought up in the book as well...
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9/8/2007, 10:43 am
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Drizzt79
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Re: Kill Bill 1 - Initial Script - Yuki Yubari.
Send it to my email, though I probably won't have time to read in the near future.
--- My board: Evil Babes
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9/9/2007, 12:00 pm
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geesehoward4life
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Re: Kill Bill 1 - Initial Script - Yuki Yubari.
Let me know when you have time. No need sending something out where I won't hear back from you until whenever...
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9/12/2007, 4:58 pm
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